Eight years in the making, Jane Castle's poignant documentary about her filmmaker mother Lilias Fraser is an intimate mother-daughter story and eye-opening chronicle of women's roles in the film industry.
ٹریلر
کاسٹ
Jane Castle
Director
Lilias Fraser
Self - Portrait Subject & Pioneer Filmmaker
Jane Castle
Writer
آپ کو یہ بھی پسند آ سکتا ہے
When the Camera Stopped Rolling
Make It Look Real
There Goes Our Neighbourhood
Sexology
Outback Opal Hunters
Thirst Trap: The Fame. The Fantasy. The Fallout.
Emergency
Nemesis
Paramedics
Rise of the Dictators
The Man Who Played with Fire
Jae-seok's B&B Rules!
9/11: One Day in America: Told in Full
All American
A Life in Ten Pictures
Out There: Crimes of the Paranormal
Capturing Their Killer: The Girls on the High Bridge
The Back Side of Television
Haunted Towns
Filthy Fortunes
Access All Areas: Erebus Motorsport
Show Me the Money
World's Greatest Man Made Wonders
Life in Colour
تبصرے
5 تبصرے
source: When the Camera Stopped Rolling
This is an ambitious film, deeply psychological, close to the bone for director Jane Castle. There are more than a few dramatic surprises by way of an untold history of bygone family relationships, the central one being with Jane's mother Lilias Fraser. Lilias was a dynamic, fiercely independent and well-known figure who was herself a film maker and also a political activist, but her personal story she had kept well hidden. And there is also Jane's personal story of her childhood and early adulthood and altogether this makes for intense drama indeed. Actually, this film has everything - as Jane finds just the right images to support the confronting telling of this story and its accompanying emotions at every point. Thus the film is beautiful to watch as well as to 'feel' - this is aesthetic perfection in the difficult territory for the documentary maker of her own internal story, a documentary of emotions. Both a great story and formal mastery? A rare beast yes?
source: When the Camera Stopped Rolling
This is an ambitious film, deeply psychological, close to the bone for director Jane Castle. There are more than a few dramatic surprises by way of an untold history of bygone family relationships, the central one being with Jane's mother Lilias Fraser. Lilias was a dynamic, fiercely independent and well-known figure who was herself a film maker and also a political activist, but her personal story she had kept well hidden. And there is also Jane's personal story of her childhood and early adulthood and altogether this makes for intense drama indeed. Actually, this film has everything - as Jane finds just the right images to support the confronting telling of this story and its accompanying emotions at every point. Thus the film is beautiful to watch as well as to 'feel' - this is aesthetic perfection in the difficult territory for the documentary maker of her own internal story, a documentary of emotions. Both a great story and formal mastery? A rare beast yes?
