एक युवा जो अहिंसा के मार्ग पर चलता है और अंतत अपने परिवार को न्याय दिलाने के लिए एक अलग रास्ते पर विद्रोह करता है.
ट्रेलर
कलाकार
Teja
Director
Abhiram Daggubati
Raghu
Geethika
Ahalya
Sameer Goswami
Judge
Ramandeep Kaur
Antagonist
Devi Prasad
Heroine Father
Nithin Prasanna
Bichua
Teja
Writer
आपको ये भी पसंद आ सकते हैं
Ahimsa
Ambi Ning Vysaitho
Kaatru Veliyidai
Nikka Zaildar 4
The Ba***ds of Bollywood
Just Dance
Jin yue ru ge
Zhe yao
Station 19
The Next Prince
City Hunter
The Court
Vikings
The Originals
Yaar Jigree Kasooti Degree
IRL: In Real Love
Baahubali: the Torch Bearer
Tere Bin
Blacklist
Liu Shui Tiao Tiao
Love Is Never Gone
25ji Akasaka de
My Lovely Bodyguard
Never Say Goodbye
टिप्पणियाँ
3 टिप्पणियाँ
Director Teja, once known for his fresh and innovative romantic films such as Chitram and Jayam, appears to be stuck in a time warp with his latest film Ahimsa. The film suffers from a lack of evolution and fails to resonate with the contemporary audience. Teja's characters in Ahimsa dress, speak, and behave in a manner reminiscent of his early films from the early 2000s. This dated approach fails to connect with the current generation of viewers, who are looking for more relatable and modern storytelling. The narrative itself feels trapped in a bygone era, making the viewing experience tiresome and uninspiring. While there are moments in Ahimsa where one hopes for a shift in momentum and an injection of interest, unfortunately, the film fails to deliver on these expectations. The story and narrative remain stagnant, lacking the freshness and relevance needed to captivate the audience. This failure to evolve with the times leaves Ahimsa feeling disconnected from the contemporary world, a missed opportunity to engage and resonate with viewers. Ultimately, Ahimsa suffers from a lack of progression in both its storytelling and character portrayal. Director Teja's inability to adapt his style to the changing tastes and preferences of the audience results in a film that feels trapped in a time capsule. While some viewers may find nostalgia in Teja's approach, for many, it fails to offer the excitement and innovation expected from a contemporary film.
