Amy and Steve return home after their first semester of college hoping for a relaxed winter break but have to navigate turbulent reunions, unspoken romances and an unplanned pregnancy.
Bande-annonce
Casting
Michael Boyle
Director
Annie Newton
Amy
Drew Petriello
Steve
Katee Shean
Rachel
Spencer Paez
Connor
Natasha Gualy
Court
Geoffrey James
Dan
Joel Pelletier
Bearded Man
Janna Cardia
Wide-Eyed Woman
Pia Vicioso-Vila
Receptionist
William Bouton
Drummer Drumming
Paris Moletti
Piper Piping 1
Lukas Castor
Piper Piping 2
Ainah Lagrimas
Maid A-Milking
Erik Friestad
Guy in Bathroom
Andrew Webb
Swan A-Swimming
Kenneth Lester
Geese A-Laying
Gregory Hinds
Beer Pong Player (Male)
Claudine Pierre-Louis
Beer Pong Player (Female)
Michael Boyle
Writer
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Commentaires
7 commentaires
When i write this in september, and its for sure not a good old fashion xmas family cosy time in front of the screen waiting for the giftparade to start. no, its a story about young people coming home for xmas, and things aint quite as it should be. but there are a longton loads of things that happens, so if you like verbalistic humour, be my guest. what i dont like about this film, is the extreme volume of spoken words, even shouting and screaming at eachother, and its done for fun, that didnt touch much of a grumpy old mans houmouristic sense. its an indie movie, made at a more or less private budget, so take it for what it is, i say a lot of amateur acting and production, and its not a rewinder for me.
TWELVE DAYS has three or four moments, which padded out should last about 8-10 minutes. At almost 90 minutes, it's a testament to the downside of digital filming: There's no expense to contain half-baked ideas. Throughout the film I kept wondering what kind of pizza followed that scene. TWELVE DAYS feels like a lot of theater friends knocked themselves out projecting to the back rows. I was hoping there would be triumphs along the way. Instead, the forced humor, mug-pulling and over-animated antics are exhausting to watch.
Not by any stretch of the imagination. It has an abundance of F-bombs, drugs, alcohol, and a lot of real screaming even in flashbacks. Why would anyone ever give this film a title with the word Christmas in it?? It truly deserves a zero minus 10.
Not by any stretch of the imagination. It has an abundance of F-bombs, drugs, alcohol, and a lot of real screaming even in flashbacks. Why would anyone ever give this film a title with the word Christmas in it?? It truly deserves a zero minus 10.
When i write this in september, and its for sure not a good old fashion xmas family cosy time in front of the screen waiting for the giftparade to start. no, its a story about young people coming home for xmas, and things aint quite as it should be. but there are a longton loads of things that happens, so if you like verbalistic humour, be my guest. what i dont like about this film, is the extreme volume of spoken words, even shouting and screaming at eachother, and its done for fun, that didnt touch much of a grumpy old mans houmouristic sense. its an indie movie, made at a more or less private budget, so take it for what it is, i say a lot of amateur acting and production, and its not a rewinder for me.
TWELVE DAYS has three or four moments, which padded out should last about 8-10 minutes. At almost 90 minutes, it's a testament to the downside of digital filming: There's no expense to contain half-baked ideas. Throughout the film I kept wondering what kind of pizza followed that scene. TWELVE DAYS feels like a lot of theater friends knocked themselves out projecting to the back rows. I was hoping there would be triumphs along the way. Instead, the forced humor, mug-pulling and over-animated antics are exhausting to watch.
