A gramophone manufacturer's daughter loves the son of the man he once cheated.
Bande-annonce
Casting
Reginald Denham
Director
Thorold Dickinson
Director
Sam Livesey
Bob Gordon
Sally Gray
Margaret Gordon
Eliot Makeham
Stephen Harboard
Adele Dixon
Julia Harboard
Lewis Casson
John Mallory
Donald Wolfit
Dick Finlay
Clifford Evans
Peter Mallory
Ronald Simpson
Bramwell
Robert Wilton Jnr
Jenkins
H.F. Maltby
Stubbins
Students of the R.A.D.A.
Themselves
Henry Wood
Self - Cameo appearance
Cedric Hardwicke
Self - Cameo appearance
George Robey
Self - Cameo appearance
Charles Penrose
Self - Cameo appearance
Reginald Foresythe
Self - Cameo appearnce
Basil Mason
Writer
Reginald Denham
Writer
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Commentaires
5 commentaires
source: Calling the Tune
Calling the Tune
Sam Livesy cheats all his partners to become a major power in the nascent gramophone industry. Twenty or so years later, he drives innovative Clifford Evans into the arms of his competitor, Elliot Makeham. When Donald Wolfitt offers to blow up their new recording plant in return for a partnership and the hand of Livesy's daughter, Sally Grey, the audience gets to watch the fuse spark to the tune of "Ride of the Valkyries". The real pleasure of this ATP release -- the studio would later evolve into Ealing -- is a succession of acts, presented as recordings or recording sessions: Nellie Melba on the gramophone, Charles Penrose singing "The Laughing Policeman, Cedric Hardwicke in an extract of THE MERCHANT OF VENICE, and George Robey, the Prime Minister of Mirth, doing one of his patter songs. They offer some bright, nostalgic moments during this tale of industrial sabotage that make this film worth watching.
