At every station, between sites filled with poetry and nostalgia for a bygone era, the poet's dashed dreams and idealized vision of her country coincide with the director's own.
Trailer
Cast
Nabil Ismaïl
Self
Marcel Khalife
Self
Maaari Mo Ring Magustuhan
Little Palestine: Diary of a Siege
We Are All for the Fatherland
Bigay hilig: Sexual Fetish
Addicted to Sexting
Sex Next Door
Sex Sells
Sex, Explained
Kingdom
Witches: Truth Behind the Trials
Take That
Mean Girl Murders
Mourinho
How to Get Rich
Ashley Madison: Sex, Lies & Scandal
Curvy Girls: Stripped Bare
America's Sweethearts: Dallas Cowboys Cheerleaders
Sex & Pleasure
Death of the Pastor's Wife
The Principles of Pleasure
Money Heist: From Tokyo to Berlin
High Society
Trust Me: The False Prophet
Michael Jackson: The Verdict
Baahubali: the Torch Bearer
Mga Komento
3 Mga Komento
Eerie and slow, this film pulls all the emptiness out of Lebanon during 1980 and dumps it into your heart. The white, blue and black colour palette makes this feel like a ghost movie. However, the characters are opaque and alive, whilst the cities dead, just swaying in the background bleached white. Beautiful poetic narration is interjected between scenes and provides a romantic yet realistic insight into the countries past, present and future. The film does not ask for your sympathy like a charity advert, but just makes you fall in love with Lebanon and its people who's personalities relish through the lens of Baghdadi. There are some moments which felt a bit too slow, but they did serve a purpose. I wish more people in the west would see this film because it truly humanises arabs and arab suffering in a time where we are seen as throwaways who deserve less then an animal treatment.
