French Intelligence Agent Andre Devereaux becomes embroiled in Cold War politics, first by uncovering the events leading up to the 1962 Cuban Missile Crisis, and then breaking up an international Russian spy ring.
الإعلان الترويجي
طاقم العمل
Alfred Hitchcock
Director
Frederick Stafford
Andre Devereaux
Dany Robin
Nicole Devereaux
John Vernon
Rico Parra
Karin Dor
Juanita de Cordoba
Claude Jade
Michele Picard
Michel Subor
Francois Picard
Michel Piccoli
Jacques Granville
Philippe Noiret
Henri Jarre
John Forsythe
Michael Nordstrom
Per-Axel Arosenius
Boris Kusenov
Roscoe Lee Browne
Philippe Dubois
Edmon Ryan
McKittreck
Tina Hedström
Tamara Kusenova
John Van Dreelen
Claude Martin
Sonja Kolthoff
Mrs. Kusenova
Donald Randolph
Luis Uribe
Roberto Contreras
Muñoz
Carlos Rivas
Hernandez
Leon Uris
Writer
Samuel A. Taylor
Writer
قد يعجبك أيضًا
Sugar Daddies
Pussy Kills
Homewrecker
Bad Girl School
منزل الخدع
Unspeakable Sins
وزيرة الخارجية
الحبيبة
الوصايا
Honor Thy Mother
شيكاغو
Umthetho
هجوم يوم الصفر
أخبرني قصة
House of Cards
المؤامرة ضد أمريكا
سيء السمعة
خارج الدائرة
Housekeepers
iThemba
البرية
انتقام آنا
The Bureau
المنبوذون
التعليقات
5 تعليق
source: Topaz
Topaz
After reading some of the negative comments about Topaz, I have wondered if I saw the same movie. For reasons unknown to me, this precious film has been underrated. This is a very good Cold War thriller and critics should revaluate it. I recommend Topaz to Hitchcock's fans. They won't be deceived. I have seen it several times and still is one of my favorites.
"Topaz" is at its best when Alfred Hitchcock lets the camera tell the story: there are several small but brilliant moments in this film. But while his direction is still masterful, his pacing certainly isn't - the film often feels talky and plodding. The abrupt ending is another problem - one of the alternative endings, the airport one, sounds much better (unfortunately I haven't had the chance to see it yet). Frederick Stafford is no Cary Grant or even Rod Taylor, but he does the job; so do the rest of the actors, with Phillipe Noiret a standout in a brief role and Karin Dor adding a touch of sensuality to the proceedings. On the whole, "Topaz" is not even among Hitchcock's Top 10 pictures, but his fans will still have fun spotting his touches here and there. His cameo - a wheelchair-bound man who suddenly gets up and starts walking (!) - is just one of them. (**1/2) EDIT: I finally did see the airport ending: it is undeniably better than the present one, but still a bit too abrupt.
