Angleterre, XVIIIème siècle. Joseph Andrews est abandonné dès son plus jeune âge chez la sulfureuse Lady Booby. Bientôt séduite par ses charmes, la maîtresse dévergondée tente de l'initier aux délices de l'amour..
Bande-annonce
Casting
Tony Richardson
Director
Ann-Margret
Lady Booby
Peter Firth
Joseph Andrews
Michael Hordern
Parson Adams
Beryl Reid
Mrs. Slipslop
Jim Dale
The Pedlar
Natalie Ogle
Fanny
Peter Bull
Sir Thomas Booby
Kenneth Cranham
The Wicked Squire
Karen Dotrice
Pamela
James Villiers
Mr. Booby
Norman Rossington
Gaffer Andrews
Patsy Rowlands
Gammer Andrews
Murray Melvin
Beau Didapper
Ronald Pickup
Mr. Wilson
Penelope Wilton
Mrs. Wilson
Peggy Ashcroft
Lady Tattle
Pauline Jameson
Lady Tittle
Timothy West
Mr. Tow-Wouse
Tony Richardson
Writer
Allan Scott
Writer
Chris Bryant
Writer
Henry Fielding
Writer
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Commentaires
6 commentaires
source: Joseph Andrews
Joseph Andrews
"Joseph Andrews" would be just another comical period piece if it were not for the fantastic performace of Ann-Margret who's comical timing is never off once. Her accent is flawless and she looks terrific as always! A-M makes "Joseph Andrews" the classic it should be.
18th century romp with Peter Firth as the titular Joseph, unclear on his family lineage and forced to undertake various adventures usually to save the honour of his beloved Fanny (Natalie Ogle). Full of wigs, gout and heaving bosoms, this attempt by director Richardson to do Tom Jones again, has its charms, but ultimately the sum of its parts, often fun as they are, do not make for a full and compelling romp. There is a wonderful display of British character actors on show here which helps, but in the end it is all rather a mess and a bit of a disappointment.
There's one or two disturbing moments in this film, but overall a very British earthiness is apparent in the rhythm, tone, and incidents of the film. The costumes and make-up are both a delight and (as best I know) historically accurate. Not that they're always wearing costumes.... Lots of top notch English actors (Peter Firth, young - and ludicrously pretty - here, hasn't stopped since). The reversals of fortune probably owe more to Fielding than the scriptwriter, and are a reminder that soap opera has a long history, under whatever name. -- For those who don't understand the term "double entendre", the shot of Ann-Margret's character lovingly swallowing the full length of an asparagus dipped in oil should about clear it up.
Funny, I never could get into Tom Jones. That it won Best Picture is a wonder to me. I just found it messy, badly filmed and edited and mostly incomprehensible. Joseph Andrews, however, is a different matter; I laughed heartily and found the whole thing to be what Tom Jones failed to be: a genuinely entertaining bawdy riot. How this film is so lowly rated mystifies me. Everything seems right, especially Ann Margaret who acts her skirt off (literally), and Peter Firth at least looks young and desirable, unlike Albert Finny who always looked too old to be romping around in the woods making a goose of himself. Such a shame this film isn't better known and more often shown.
