Une adolescente garçon manqué, fatiguée d'être dirigée par son tuteur strict, se fait passer pour un homme afin de pouvoir s'amuser davantage, mais découvre qu'être le sexe opposé n'est pas aussi facile qu'elle l'espérait.
Bande-annonce
Casting
Ernst Lubitsch
Director
Ossi Oswalda
Ossi
Curt Goetz
Dr. Kersten
Ferry Sikla
Counsellor Brockmüller
Margarete Kupfer
Gouvernante
Hanns Kräly
Writer
Ernst Lubitsch
Writer
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Commentaires
5 commentaires
source: I Don't Want to Be a Man
Ich möchte kein Mann sein
Short (45mins) early silent movie from Ernst Lubitsch made a few years before he left Germany for Hollywood. Young (19) Ossi Oswalda plays a seemingly wayward young lady who is becoming quite a handful. Indeed, unlike UK and US films of the time we see this young lady drinking, playing cards flirting with older gentlemen and smoking furiously. A new guardian is employed to keep her in check but she finds if she dresses as a boy everyone is fooled and she can go off to the dance and flirt with that very same guardian. He is almost twice her age but the drunken evening is treated as a joke and they even kiss. Now, one he is twice her age and two, on the face of it these are two gentlemen kissing away. Ossi is not pretty in the conventional sense but we do consider that German gents like their ladies on the butch side so maybe this would have worked even more sensationally at the time. Curious, slightly worrying but a good start in my exploration of the early films of Mr Lubitsch.
A tomboy disguises herself as one of the boys, but finds that life as a man has its own difficulties. First of all, was this film made in 1918 or 1920? IMDb says 1918 and the Kino DVD says 1920. I tend to think Kino should be more knowledgeable on this particular title, but I find it hard to doubt IMDb... not that it makes a big difference, but to put it in context of the formative years of cinema, it seems that a more precise date would help. But anyway, this is quite the ground-breaker, having a woman dress as a man and live as one for a day. Countless films have used this formula since... was this the first? Always an interesting concept, because it seems that most women could not pass as men (or most men as women)... and yet, here, despite a feminine touch there was a generally manly appearance presented.
