ایک نوجوان لڑکا ، کونن ، اپنے والدین کے ہلاک ہونے اور ایک وحشی جنگجو اور جادوگر ، تھولسا عذاب کے ذریعہ تباہ ہونے کے بعد غلام بن جاتا ہے۔ جب وہ بڑا ہوتا ہے تو وہ نڈر ، ناقابل تسخیر لڑاکا بن جاتا ہے۔ مفت سیٹ کریں ، وہ تھولسا عذاب سے بدلہ لیتے ہیں۔
ٹریلر
کاسٹ
John Milius
Director
Arnold Schwarzenegger
Conan
James Earl Jones
Thulsa Doom
Max von Sydow
King Osric
Sandahl Bergman
Valeria
Ben Davidson
Rexor
Cassandra Gava
The Witch
Gerry Lopez
Subotai
Mako
The Wizard
Mako
Narrator
Valérie Quennessen
The Princess
William Smith
Conan's Father
Luis Barboo
Red Hair
Franco Columbu
Pictish Scout
Leslie Foldvary
Sacrificial Snake Girl
Gary Herman
Osric's Guard
Erik Holmey
Turanian War Officer
Akio Mitamura
Mongol General
Nadiuska
Conan's Mother
Jorge Sanz
Young Conan
Robert E. Howard
Writer
John Milius
Writer
Oliver Stone
Writer
Edward Summer
Writer
آپ کو یہ بھی پسند آ سکتا ہے
Arnold Schwarzenegger & Sylvester Stallone: Rivals, Friends, Icons
last prisoner
In the Lost Lands [CAM]
Solomon Kane
Heart of Courage
Once Upon a Time
The Shannara Chronicles
The Boroughs
Vampire Academy
The Lost Tomb
The Chi
Saints & Sinners
The Last Teal Dragon
Magic 5
Aeterna
Fate Chooses You
Untitled Arnold Schwarzenegger/Skydance Project
Arena zero
Tales of the City
Son of Odin
Cheerleader and the Beast
Academy of Lies
Suits LA
The Road Through Fire
تبصرے
10 تبصرے
source: Conan the Barbarian
Conan the Barbarian
a film about a young barbarian's quest to avenge his parents' deaths. The story is set in the fictional Hyborian Age, thousands of years before the rise of modern civilization. The film opens with the title card, "That which does not kill us makes us stronger", a paraphrasing of Friedrich Nietzsche, followed by a voice-over that establishes the film as the story of Conan's origin. I love the use of Genghis Khan's speech: "The greatest pleasure is to vanquish your enemies, to chase them before you, to rob them of their wealth, to see those dear to them bathed in tears, to ride their horses, to clasp to your bosom their wives and daughters." I mean, you know, it's sexist and horribly crude, but perfect for the world of barbarians. For all its faults, this is a true staple of the fantasy genre. It can be denounced as overly violent (true) and feeding into male prepubescent fantasy (true), but look at the source material: early 20th century pulp. This is exactly what it is supposed to be.
