A couple cannot halt the downward spiral of their marriage.
Trailer
Pemeran
Derek Cianfrance
Director
Ryan Gosling
Dean
Michelle Williams
Cindy
John Doman
Jerry
Faith Wladyka
Frankie
Mike Vogel
Bobby
Marshall Johnson
Marshall
Jen Jones
Gramma
Maryann Plunkett
Glenda
James Benatti
Jamie
Barbara Troy
Jo
Carey Westbrook
Charley
Ben Shenkman
Dr. Feinberg
Eileen Rosen
Mimi
Enid Graham
Professor
Ashley Gurnari
Checker
Jack Parshutich
Billy
Samii Ryan
Amanda
Mark Benginia
Concierge
Derek Cianfrance
Writer
Joey Curtis
Writer
Cami Delavigne
Writer
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Terlalu Dalam
Komentar
10 Komentar
I came to see this film just because of the legendary gosling, his movies are always hits.
thank you
please hindi me
gh
38
In as much as many believe the film is boring and lacked direction. I agree it was boring but it was more reality based to me The grandfather molding from a bad father and husband to a loving grandfather is as real as it gets The couples characters looking so confusing one minute they are laughing the next they are fighting is more real than not although to the last part where the child is holding on to the father does feel somehow. Overall its just a sad film
Bee Vee
I went to see "Blue Valentine" based on some mostly positive reviews it received and this is a main reason why I don't trust professional reviewers anymore. "Blue Valentine" is done in the "mumblecore" style of film making. The dialog appears to be improvised and the hand held camera makes it look like a documentary. That in itself would not normally doom a film, but the problem with "Blue Valentine" is that both characters are totally unlikable and we never really care about them. Dean is an alcoholic high school dropout and Cindy is a nurse who marries him because she can't do any better. The main problem with "Blue Valentine" is that it is extremely boring. It is like watching paint dry. If you like watching depressing lowlifes mumbling for 2 hours, you might like "Blue Valentine." Otherwise, be advised to stay away.
In outstanding performances, Ryan Gosling and Michelle Williams bare their emotions and their bodies. In "500 Days of Summer" they told you what day it was. In this Dark Days of Winter you have to pretty much figure it out for yourself. About the second time the Michelle Williams character screams "I can't take it anymore" I couldn't either. No amount of sex on the screen is worth the pain and suffering. No need to hang around for a happy ending as you know there won't be one. Not only that, what makes you think he won't be back for another round of physical and emotional abuse in a sequel? Speaking of physical abuse, the only time the Gosling character was alone at work, and not surrounded by his big moving company buddies, was when the writers needed him to be alone at work. The nonlinear story telling got tiresome. It takes you away from where things are in the relationship and back to the happy wedding day way too late to care. At that point it was as meaningless, as the writer forced, liquor store encounter with the old, but important boy friend. Anytime the family dog dies in the first ten minutes you know you are not in for fun movie experience. Interesting cinematography, ranging from reflections, to up too close and personal. Rather than a fly on the wall, you feel like a voyeur to a very intimate relationship. It appears they will market this movie on the cute little dance song on the street and the hot steamy sex. Don't get sucked in. It is dark, painful, and heavy handed. If you don't walk in, you won't have to run out of the theater.
