Raymond Sykes, a writer with dreams of grandeur, and his wife Dorothy, a Jamaican immigrant and household breadwinner, have moved to Los Angeles for a fresh start. But old wounds and resentments are re-ignited when Dorothy's sister, Adel, pays an unexpected visit. A descent into Ray's inner world of fear, fantasy, and paranoia takes hold. A place where the line between dreams and reality evaporate.
ٹریلر
کاسٹ
Guy Longstreet
Director
Sasha Grant
Dorothy Sykes & Delilah Dubois
Gareth Koorzen
Raymond Sykes
Odell Mack
Charles
Laura Meadows
Manager
Guy Longstreet
Writer
آپ کو یہ بھی پسند آ سکتا ہے
Black Jade
Pretty Thing
Bad Girl School
Drawn Into the Night
No Easy Days
Sacrifice
The Veil
Ghosts of Beirut
Down Cemetery Road
Honor Thy Mother
Beauty in Black
Umthetho
Night Has Come
Malice
Unknown
Sequestered
The Assets
Declassified: Untold Stories of American Spies
36 Days
Bad Cop
Then You Run
Gold Digger
After the Flood
Six
تبصرے
10 تبصرے
source: Black Jade
Excellent on many levels. Actors are exceptional. The story line has much food for thought. Great visuals, camera work and shots. Very imaginative. Don't want to give away too much of the story and subsequent experience, suffice to say the insight into an artist's (in this case a writer's) inner life was mesmerizing. A director worth watching.
I liked the trailer for this film. But it really only hinted at how good it actually was. Beautifully shot and a wonder to look at. All done on what one assumes was a modest budget being an indie film, it's pretty remarkable. Just an excellently crafted film in every way. Acting, writing, directing. With characters that feel real, wonderfully flawed and fleshed out. Add some twists and this was just truly bravo filmmaking.
I am a big fan of the genre hence my enthusiasm. This indie gem is a superbly written, well acted and steadily directed neo-noir wet dream of a film. Also the framing and the score give it so much gravitas. There are clear Hitchcock and Kubrik influences, but I'm not complaining about that. It's a slow burn thriller where the concept of reality is challenged. If you enjoy this genre, you'll love this.
This film has a vision and aesthetic that could easily be described as Kubrickian, with it's clean, well-composed black and white cinematography, use of classical music to highlight mood, and creative editing/coloring choices. This is a VERY good-looking film. The acting overall is good, and the lead actress delivers a sequence where she totally loses it that is also very compelling. However, this film belong's to it's writer/director, Guy Longstreet. He delivers a neoexpressionist thriller that is very deliberate in its look and feel, with scenes that feel very much like films of the French New Wave films of the early 1960s. A couple sequences feel a bit self-indulgent with languid long shots or excessive editing, but those are small issues in an otherwise interesting film. The film's conclusion provides a completely unexpected twist that I appreciated. In summary, Black Jade is totally worth your time if you like seeing the work of a visual artist creating film magic.
The cinematography really lended to the atmosphere of the movie. Overall, it's a quiet, slow burn thriller and it definitely has a level of eeriness to it that will draw you in.
source: Black Jade
I liked the trailer for this film. But it really only hinted at how good it actually was. Beautifully shot and a wonder to look at. All done on what one assumes was a modest budget being an indie film, it's pretty remarkable. Just an excellently crafted film in every way. Acting, writing, directing. With characters that feel real, wonderfully flawed and fleshed out. Add some twists and this was just truly bravo filmmaking.
Excellent on many levels. Actors are exceptional. The story line has much food for thought. Great visuals, camera work and shots. Very imaginative. Don't want to give away too much of the story and subsequent experience, suffice to say the insight into an artist's (in this case a writer's) inner life was mesmerizing. A director worth watching.
