Starving playwright Judith Wells meets playboy writer of musicals George Macrae over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds" just to improve his romantic chances, and even persuades her to sing in the sort of show she pretends to despise. But just when their romance is going well, Gordon's former flame Lulu reveals the ace up her sleeve.
الإعلان الترويجي
طاقم العمل
Norman Taurog
Director
Alice Faye
Judy Poe Wells
The Ritz Brothers
The Ritz Brothers
Don Ameche
George Macrae
Charles Winninger
Sam Gordon
Gypsy Rose Lee
Lulu Riley
Arthur Treacher
Bevins
Tony Martin
Bobby Walker
David Rubinoff
David Rubinoff
Phyllis Brooks
Evelyn Moore
Wally Vernon
Jerry
Tip Tap & Toe
Specialty Dancers in North Winds
Louis Prima
Orchestra Leader
George Humbert
Romano
Jed Prouty
Mr. Whiteman
Dorothy Christy
Blonde
Tony Martinelli
Tony Martinelli
John Alban
Theatregoer
Sam Ash
Publicity Agent
Harry Tugend
Writer
Jack Yellen
Writer
Karl Tunberg
Writer
Gregory Ratoff
Writer
قد يعجبك أيضًا
عازف الطبول: دقة جديدة
TAKE OVER
خذني إلى النهر
Henry Gamble's Birthday Party
SHE Must Be Obeyed
Accidentally in Love
Namib
Lost to Light
Beauty in Black
كوين شوجر
الخلافة
My trash pup is fenrir
Sistas
الزوجة
سقوط الثلج
أسمر
لم يسبق لي أبدا
High Potential
ون بيس
ابتسامة الحب
كيف تفلت بجريمة قتل
إميلي في باريس
ما خطب السكرتيرة كيم؟
محامي اللينكولن
التعليقات
6 تعليق
source: You Can't Have Everything
You Can't Have Everything
I guess this was to come in later movies, but I kept waiting for the musical pairing of Alice Faye and Don Ameche, which never came. Everything else happened, but this musical needed a stronger anchor. Those in charge should have realized the talent they had in Faye and Ameche and driven the plot from there.
I love Don Ameche and Alice Faye, and they were really good in this film. Oh yes, and Gypsy Rose Lee was really good. But the Ritz Brothers? Did people really think they were funny? Jeez, they make the Three Stooges look like George Carlin. Their musical tribute to underwear almost literally made me gag. Fast forward through those three pathetic excuses for entertainment and you probably have a decent movie.
I never understood the appeal of the Ritz Brothers when I saw them do an occasional specialty number in a movie. But in this movie, they don't have just a specialty number. They are on the screen for number after number, some of them fairly elaborate. And even after all those numbers, I have to say: What was the deal? Granted, the material is never very good. But the Marx Brothers could do great stuff with second-rate material. These guys don't do anything interesting with any of their material here. They just weren't very talented. As for the rest of the movie: Faye sings some forgettable numbers nicely. Amiche is hidden behind terrible eye makeup. You would never believe from what you see here that Gypsy Rose Lee was a star. It's pleasant, but forgettable.
