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الإعلان الترويجي
طاقم العمل
Preston Sturges
Director
Barbara Stanwyck
Jean Harrington
Henry Fonda
Charles Pike
Charles Coburn
'Colonel' Harrington
Eugene Pallette
Mr. Horace Pike
William Demarest
Muggsy
Eric Blore
Sir Alfred McGlennan Keith
Melville Cooper
Gerald
Martha O'Driscoll
Martha
Janet Beecher
Mrs. Janet Pike
Robert Greig
Burrows
Dora Clement
Gertrude
Luis Alberni
Pike's Chef
Abdullah Abbas
Man with Potted Palm
Norman Ainsley
Sir Alfred's Servant
Mary Akin
Passenger on Ship
Sam Ash
Husband on Ship
Harry A. Bailey
Lawyer
Bobby Barber
Ship's Waiter with Toupee
Monckton Hoffe
Writer
Preston Sturges
Writer
قد يعجبك أيضًا
Target
الوداع لكل هذا
Computer Love
Sukimasuki
Zatima
الجنس والحياة
إميلي في باريس
الفتاة الجديدة
Not Suitable for Work
أصغر سنا
Uncoupled
الجميع يحبني
أفلاطوني
Four Weddings and a Funeral
The Twelve Dates 'Til Christmas
My Dead Ex
Faceless Love
I Hear You
My Love Mix-Up!
Only Boo!
A Dog and a Plane
Halfmates
الإقامة الجبرية علينا
معركة العازبات: سباق نحو الحب
التعليقات
4 تعليق
The Lady Eve is one of the most memorable comedies of the golden age, and today it stands as a highly entertaining movie that has a lot of enjoyably dated comedy. Particularly hilarious are the scenes in which Stanwyck spills her life story to Fonda as they swoosh under the train tunnel, and the scenes in which the food trays keep spilling on Fonda. The performances are great, and though it seems more like Stanwyck falls for Fonda out of pity more than love, the two work well together. And Barbara Stanwyck in that black, bare-midriff dress is one of the most breath-takingly beautiful images ever to appear on the screen.
Fast-talking, quick-thinking, altogether delightful comedy from Preston Sturges, who also adapted the screenplay from Monckton Hoffe's original story. An elderly cardsharp and his equally crooked daughter, traveling in style by cruise ship from South America, zero in on their next victim--a handsome but somewhat unsteady ale-heir--but the daughter mixes business with pleasure and ends up falling for the lug. Barbara Stanwyck, with her crafty stare and sexy smirk, surprisingly doesn't run roughshod over articulate Henry Fonda, and they make a winning combination. Sturges' script blends grown-up jokes and conversation with pratfalls while never losing the filmmaker's graceful touch and innate sophistication. The results are amusingly frisky, prickly and unpredictable. *** from ****
A stunningly beautiful film -- and very funny, too, with 2 of the strongest leads in film paired memorably. Some moments, like Fonda slouching on the floor and Stanwyck drooping onto him in a wry parody of Hollywood lovemaking, actually achieve the grace and beauty of the best silent films. The story takes some fairly predictable turns, and the script and direction by Sturges are first rate. Fonda is very broad but miraculously pulls it off, and Stanwyck revels in the excellent role she plays (two roles in one, no less, an actor's dream!). One of the best comedies of the "classic" Hollywood era.
